"I have lived to tell tales of Sphinx-like Renewals; of hopes within Silent tombs, and shattering truths in the midst of deaf hypocrisy.
Never again will I agree to sustain the cowardliness of Destruction. Never again will I be silenced, whenever witnessing Horror or Injustice."
"I will never cease to love Opera, this enormous, untameable animal with several breaths and twenty hundred pulses..."
"The Arts related to the Stage are a great modern Forum, in the Greek sense: a place to expose and analyse human emotions, via their actions...
"The exuberance in their embroideries, encrustations (etc) reflect a keen observation of their environment, as well as a remarkable intellectualisation of its reality."
"I hid under a stain,
Ten oboes heart-broken...
I lived in Her disdain,
For songs I had stolen!
Her hands were white and fair,
I wept and she remained.
Her true love well-spoken,
Her hands were fairer then.
Where trees have not fallen,
My broken heart sings on...
Where scores have not begun,
I have not loved in vain."
Broken Maestro, opus 5
"This phenomenon is the equivalent of an under water achievement, where, in a parallel scientific system, laws of gravity no longer apply in the same fashion: bodies, ships and wrecks become virtually weightless."
Monteverdi's Vespers, Et Misericordia
I am currently working on Textile Therapy methodologies. I am intrigued by the various messages as sent to the eye and/or hand and body: I am exploring their full potential, in terms of healing for the mind.
I am also developing techniques and workshops for Music Therapy theories, based on storylines within orchestral scores.
I am applying for a PhD in Music Psychology.
If you wish to donate towards this, please click on the Paypal button. I can provide more details about the projects.
Please visit Music Psychology and Fashion Psychology pages, currently under construction.
Thank you in advance.
Dvorak New World Symphony, an analysis
by Sandrine Anterrion.